Album cover art for "Love Unknown" by George Herbert

George Herbert - Non-Music, Lyric Poem (Literature)

Love Unknown by George Herbert Lyrics

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Lyrics

Dear Friend, sit down, the tale is long and sad: And in my faintings I presume your love Will more comply, than help. A Lord I had, And have, of whom some grounds which may improve, I hold for two lives, and both lives in me. To him I brought a dish of fruit one day, And in the middle plac'd my heart, But he                                                 (I sigh to say) Lookt on a servant, who did know his eye Better than you know me, or (which is one) Than I my self. The servant instantly Quitting the fruit, seiz'd on my heart alone, And threw it in a font, wherein did fall A stream of blood, which issu'd from the side Of a great rock: I well remember all, And have good cause: there it was dipt and dy'd, And washt, and wrung: the very wringing yet Enforceth tears. Your heart was foul, I fear. Indeed 'tis true. I did and do commit Many a fault more then my lease will bear; Yet still askt pardon, and was not deni'd. But you shall hear. After my heart was well, And clean and fair, as I one even-tide                                                 (I sigh to tell) Walkt by my self abroad, I saw a large And spacious furnace flaming, and thereon A boiling cauldron, round about whose verge Was in great letters set AFFLICTION. The greatness show'd the owner. So I went To fetch a sacrifice out of my fold, Thinking with that, which I did thus present, To warm his love, which I did fear grew cold. But as my heart did tender it, the man Who was to take it from me, slipt his hand, And threw my heart into the scalding pan; My heart, that brought it (do you understand?) The offerer's heart. Your heart was hard, I fear. Indeed 'tis true. I found a callous matter Began to spread and to expatiate there: But with a richer drug than scalding water, I bath'd it often, ev'n with holy blood, Which at a board, while many drunk bare wine, A friend did steal into my cup for good, Ev'n taken inwardly, and most divine To supple hardnesses. But at the length Out of the cauldron getting, soon I fled Unto my house, where to repair the strength Which I had lost, I hasted to my bed. But when I thought to sleep out all these faults                                                 (I sigh to speak) I found that some had stuff'd the bed with thoughts, I would say thorns. Dear, could my heart not break, When with my pleasures ev'n my rest was gone? Full well I understood, who had been there: For I had giv'n the key to none, but one: It must be he. Your heart was dull, I fear. Indeed a slack and sleepy state of mind Did oft possess me, so that when I pray'd, Though my lips went, my heart did stay behind. But all my scores were by another paid, Who took the debt upon him. Truly, Friend, For ought I hear, your Master shows to you More favour then you wot of. Mark the end. The Font did only, what was old, renew: The Cauldron suppled, what was grown too hard: The Thorns did quicken, what was grown too dull: All did but strive to mend, what you had marr'd. Wherefore be cheer'd, and praise him to the full Each day, each hour, each moment of the week, Who fain would have you be new, tender, quick.

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Meaning of "Love Unknown" by George Herbert

The narrator recounts a series of painful experiences to a "Dear Friend," framing them as a long and sad tale of spiritual and emotional struggle. The initial scene involves presenting a heart to a "Lord," only for it to be seized by a servant and plunged into a font filled with blood from a rock, a baptism of sorts that washes away past faults. This allegorical cleansing is immediately followed by another trial, where the heart, offered as a sacrifice to warm a feared-to-be-cold love, is instead thrown into a boiling cauldron labeled "AFFLICTION." The central tension lies in the narrator's repeated failings and the subsequent, often harsh, divine or spiritual interventions. The "Friend" interrupts with pointed accusations – "Your heart was foul," "Your heart was hard," "Your heart was dull" – highlighting the narrator's persistent flaws. Yet, each accusation is met with a narrative of redemption, often involving a "friend" or a divine "Master" who intervenes to mend the damage, suggesting a complex relationship between personal sin and external grace. The lyrics employ vivid, almost surreal imagery to convey profound spiritual states. The heart is a recurring motif, treated as a physical object to be offered, cleansed, hardened, and even pricked by thorns. The "font" and "cauldron" function as symbolic sites of purification and suffering, while the "thorns" stuffed in the bed represent the inescapable torment of troubled thoughts. The repeated sighs from the narrator underscore the emotional weight of these events, contrasting with the "Friend's" more direct, almost clinical, pronouncements. Ultimately, the effectiveness of these lyrics stems from their unflinching portrayal of spiritual vulnerability and the intricate dance between human failing and divine mercy. The narrator's journey, marked by repeated mistakes and subsequent, often painful, renewal, is presented not as a simple confession but as a testament to a persistent, if arduous, path toward spiritual "quickness." The "Friend's" final words shift the focus from the narrator's suffering to the "Master's" unwavering love and desire for renewal, offering a hopeful, albeit hard-won, resolution.

This AI-assisted editorial analysis was reviewed, improved, and approved by the LyricsWeb editorial team.

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Credits

Writers
  • George Herbert