
Foxygen & of Montreal & Kevin Barnes - Rock
Star Power III: What Are We Good For by Foxygen & of Montreal & Kevin Barnes Lyrics
4 Plays
Duration: 3:20
Lyrics
[Intro: Kevin Barnes] I wrote "L.I.T.P.M." on my hand with your ink pen You asked me what it is, I find out with an ellipsis I was humming, "I've been set free," swerving through security like a ceramic donkey in an inner rant Wearing filthy once-white terrace pants with a broken floor tom, it's such a luxury They might bust my lady but they'll never get me They might bust my lady but they'll never get me [Chorus] What are we good for if we can't make it? What are we good for if we can't make it, make it? What are we good for if we can't make it? What are we good for if we can't make it, make it? Make it, make it Make it, make it [Bridge] You can't control the system, can't control my mind You can't control me, you can't control me [Chorus]
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Meaning of "Star Power III: What Are We Good For" by Foxygen
The lyrics paint a picture of chaotic freedom and defiance, set against a backdrop of perceived authority. The opening lines, "I wrote 'L.I.T.P.M.' on my hand with your ink pen / You asked me what it is, I find out with an ellipsis," suggest a cryptic, perhaps rebellious, personal code that even the narrator doesn't fully define, hinting at a deliberate ambiguity. This sense of unruliness continues with the narrator humming "I've been set free" while swerving "like a ceramic donkey in an inner rant," a bizarrely vivid image that captures a feeling of being unhinged yet liberated. The "filthy once-white terrace pants" and "broken floor tom" add to a worn, slightly disheveled aesthetic, framed ironically as "such a luxury," emphasizing a rejection of conventional comfort or status. The core tension surfaces in the repeated assertion, "They might bust my lady but they'll never get me." This creates a duality: a protective instinct towards a companion, contrasted with an almost arrogant self-preservation. It's a declaration of personal invincibility, even as someone close might face consequences, highlighting a complex loyalty or a perceived separation from shared vulnerability. The chorus hammers home a desperate question: "What are we good for if we can't make it?" This refrain, repeated with increasing urgency, transforms the earlier defiance into a profound existential doubt. The repeated "make it" becomes a plea for success, purpose, or perhaps escape, questioning the value of their current state if ultimate achievement remains out of reach. The bridge offers a stark counterpoint, a defiant claim of mental autonomy: "You can't control the system, can't control my mind." This suggests the narrator's perceived inability to "make it" is not due to a lack of will, but an external force they are actively resisting, even as the chorus questions their fundamental worth.
This AI-assisted editorial analysis was reviewed, improved, and approved by the LyricsWeb editorial team.
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