Song Meaning

The lyrics paint a picture of seasoned artists navigating the music industry and its critics, while also addressing a specific female listener. The opening verse from Slug sets a tone of urgency and resilience, urging the listener to stay focused and overcome obstacles. Phrases like "quit trippin' over both your feet" and "tie your laces before you try to chase" suggest a need for preparedness and discipline in the face of challenges. The narrator's assertion, "I've been many places and I made them all to be / You on some fire on the roof, yes y'all follow me," implies a history of leadership and influence, positioning them as pioneers who have paved the way for others. MURS' verse grounds the narrative in hip-hop's history, referencing his longevity and evolution since the 90s. He contrasts his own continuous growth with others who are "singin' the same song," highlighting a dedication to innovation. The hook, with its repeated "You don't want it" followed by a list of negative outcomes (Touch, Rush, Broke, Choke, None, Done), seems to be a direct address to those who underestimate or challenge the artists, implying they are not ready for the consequences of confronting them. The final line of the hook, "And she's on it," shifts focus, potentially referring to a specific woman or a broader muse. The second verse introduces a more personal narrative from MURS, detailing a woman's negative experiences with hip-hop culture, where she was disrespected and dismissed. His apology and new motto, "Fuck a bitch, love a woman," reveal a personal evolution and a desire to be a better role model, acknowledging his own past ignorance. Slug's subsequent lines return to a defiant stance against critics, dismissing their opinions and asserting the artists' right to create without external validation. The repeated idea of being misunderstood or underestimated, coupled with the artists' persistent creation, forms a central tension. Ultimately, the lyrics resonate through their blend of braggadocio, self-reflection, and a defense of artistic integrity. The artists acknowledge the struggles and criticisms they've faced, framing them as necessary battles that have shaped them. The song suggests that true artistry involves continuous evolution and a refusal to be defined by external judgments, while also offering a nuanced perspective on gender dynamics within the culture. The effectiveness lies in the direct, often confrontational language that underscores their confidence and resilience in a constantly changing landscape.

Felt - Rap

She Sonnet

2 Plays

View Artist

[Verse One: Slug] Step, you know the rep It crawls and creeps Keep holdin' your breath til you fall asleep From the minor leagues We got no time to bleed You need to open the piece And quit trippin' over both your feet Tie your laces before you try to chase Disgrace, don't discriminate, it paints any face I've been many places and I made them all to be You on some fire on the roof, yes y'all follow me [MURS] I've been High Plains Driftin' since the 90's Cipher backpack with some weed is where you'll find me I was listenin' to Wu-Tang, tryin' to do the group thang They called us Log Cabin, we opened up a new lane From the Life to the Blowed, I was there for it Rock Steady, Scribble Jam, all the rare moments We been in the game so long But still evolved while all of y'all been singin' the same song So [Hook: x2] Touch (You don't want it) Rush (You don't want it) Broke (You don't want it) Choke (You don't want it) None (You don't want it) Done (You don't want it) MURS and Slug and Aes And she's on it [Verse Two: MURS] She told me that she never had someone to listen to Tried hip hop, but it was hard to get into They called her bitch and it was so disrespectful She turned a deaf ear and started bumpin' techno But I apologize and here's a dedication I'm not a saint, but I'm really ain't the degradation Fuck a bitch, love a woman, that's my new motto Yeah, I'm ignorant, but tryin' to be a role model [Slug] Cooled half my life through this homemade pipe Took a left, left, left like I know it's right And I'm suppose to give a fuck about what you 'bout? Isn't it something now? Shut your mouth, you buggin' out Yeah, I know we make 'em go nuts, so what You know what? Hold up Don't interrupt the grown ups Get busy, DC, Twin Cities When she keeps it pretty and your CD's a Frisbee [Hook] [Verse Three: MURS] The ultimate And we're as dope as it's suppose to get Some say they want a new style Some say they like our older shit Critics threw their darts at my heart And I took it Put it all on my shoulders But it left my back crooked Bent, but not broken up, late night hopin' Lost with no cause, got my eyes wide open Schemin' on a dream that's always seemin' to unravel 'Cause we caught up with the legions of the demons that we battle [Slug] You ain't an artist, you a scumbag, douchebag Cause when it rains you keep wavin' some new flag You ain't a critic, just a giant midget Tryin' to get with any tool to help you climb that big dick Well, you can hide behind the pride and guilt Stand still and deny the time it took to get it built Or illustrate the definition of Hell And shape it into whatever it takes for you to feel Felt [Hook]

Credits

Writers: Murs
Slug

She Sonnet

She Sonnet

Lyrics

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Credits