The provided text for "That Old Black Magic" is explicitly marked as instrumental. This immediately establishes a unique listening experience. There are no words to guide the narrative. The story unfolds purely through sound.
Without any lyrical content, the listener is denied direct access to a speaker's thoughts or explicit feelings. This absence creates a void where typical emotional tensions might reside. The focus shifts entirely to the music's ability to convey meaning.
The most striking "craft element" here is the intentional omission of text itself. This choice, while not a lyrical device, forces an interpretation based purely on what *isn't* said. It emphasizes the profound power of instrumental storytelling.
The impact of these "lyrics" lies in their blankness. It invites listeners to project their own narratives onto the music, making the experience deeply personal and unguided by explicit verbal cues. The silence of the words speaks volumes about the primacy of the composition.
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