Song Meaning
Donald Fagen's "The Old New West" initially presents as a straightforward, almost saccharine doo-wop pastiche. The repeated mantra of "Ruby Ruby Ruby baby" immediately plants the listener in a 1950s romantic landscape, seemingly uncomplicated. However, beneath this veneer lies a familiar Fagenesque tension, a subtle unease that complicates the seemingly innocent narrative. The insistent repetition of Ruby's name, coupled with the protagonist's unrequited desire ("She don't love me, but I love her just the same"), hints at a potentially obsessive fixation, a yearning that borders on unhealthy.
The lyrics paint a picture of a man utterly consumed by his infatuation. He vows to "steal you away from all those guys," a declaration that, while intended as romantic, carries a slight undercurrent of possessiveness. The line "Like a ghost I'm gonna haunt you" is particularly telling, transforming the standard declaration of love into something darker. It suggests a persistent, almost spectral presence, a refusal to accept rejection. This is not the innocent pining of a lovesick teenager; it's the unsettling dedication of someone whose sense of self is dangerously intertwined with the object of their affection.
The offer to give Ruby all his "lovin' money" further underscores the imbalance of power in this dynamic. It implies that the protagonist believes he can buy her affection, reducing love to a transaction. While presented in a seemingly earnest way, this gesture reveals a fundamental misunderstanding of genuine connection. Ultimately, "The Old New West," through its seemingly retro simplicity, exposes the potentially unsettling underbelly of romantic obsession. It's a classic Fagen trick: using familiar tropes to subtly dissect the complexities of human desire and the darker corners of the psyche.