Song Meaning

The narrator kicks off with a stark admission: "Y empezamos mal." This isn't just a stumble; it's a foundational misstep. The lyrics quickly pivot, however, from acknowledging human fallibility – "Es de humanos cometer errores" – to a radical self-redefinition. The core of the song emerges in the declaration, "Pero hoy soy un animal, no tengo memoria." This isn't about forgetting; it's about shedding the burden of past mistakes, choosing instinct over consequence. The central tension lies in this deliberate erasure of self and history. The narrator confesses to being carried away by the "humanamente imposible," a phrase suggesting an overwhelming, perhaps irrational, desire. Yet, the subsequent line, "Pero cuando callas, ya no evolucionas," hints at a deeper, more conscious choice to remain silent and stagnant rather than confront or learn. The act of putting on "todos los disfraces" further emphasizes a performative existence, a departure from authentic selfhood. The repeated refrain, "Y el tiempo nos cocina lento / Y el tiempo nos hace perfectos," creates a fascinating paradox. Time, usually a healer or a revealer of truth, here seems to be a passive agent in a process of decay or hardening. The lyrics suggest that instead of growth, time leads to a state where "No estamos para actuar la verdad / Y pedir perdón." This implies a resignation, a point where the cost of acknowledging past wrongs is too high, making the animalistic amnesia a preferred state. This deliberate embrace of forgetfulness, framed as a primal state, is what gives the lyrics their potent emotional charge. By rejecting the human capacity for learning from mistakes, the narrator crafts a persona that is both defiant and deeply melancholic. The song captures a specific, raw moment of choosing to be unburdened by the past, even if it means sacrificing growth and truth, making the listener question the true cost of such freedom.