Celestial Manis

Song Meaning

The lyrics paint a surreal, almost dreamlike landscape where time and space seem fluid and interconnected. We open with "six myrams with floating expressions" moving through "dripping caves of iron-ore," immediately establishing a sense of the bizarre and the subterranean, illuminated by a strange "cerebral gold." This sets a tone of profound mystery, suggesting a reality unbound by conventional physics or perception. The narrator seems to exist in a state of pure consciousness, "living as void of the orb with all melody believing in me." The core tension arises from the juxtaposition of cosmic vastness and intimate internal experience. "Webs of puckered time re-wound" hint at a non-linear perception of existence, where past, present, and future might coexist or be manipulated. This is dramatically interrupted by the "serpent's kiss," a classic symbol of temptation or a fall from grace, suggesting that even in this transcendent state, there's a potential for disruption or corruption. Yet, the lyrics also speak of "lotus locked with supernal ease," implying a serene, almost meditative state that persists despite these potential disturbances. The figure of "Celestial Manis" is central, described as "swims without moving and shifts witbout twitching." This paradoxical imagery suggests a being of immense power and stillness, existing beyond physical limitations. It's presented as both "the light of all darkness and light," a unifying force that transcends duality. The narrator's invocation, "I praise Anieva! The fleshless fay of everyday," introduces another entity, perhaps a muse or a divine aspect, who is an "unseen-architect achiever," implying a hidden hand guiding events. Ultimately, these lyrics seem to grapple with the nature of consciousness, time, and reality, suggesting that true perception transcends the ordinary. The narrator's journey from "mundane connections" to embracing the "edges of the cosmos" implies a liberation from temporal constraints. The repeated phrase, "Every tense is present tense when harkening with every sense," encapsulates this idea, positing that a heightened state of awareness can collapse time, making all moments simultaneously accessible and real. The final "Sing! Sing! Sing! O! It's everything" serves as a joyous affirmation of this unified, all-encompassing existence.