Song Meaning
The lyrics paint a grim, gothic portrait of a devoted servant mourning their "Lichmistress." The opening lines establish a tone of dark reverence, calling her "Our lady of seven sorrows" and "Mother of mourning." This isn't a typical lament; it's steeped in macabre imagery, suggesting a love that transcends life and death, bordering on the unholy. The scene is set with unsettling details like a beheaded horse and the "funeral goat's semen" anointing her grave, immediately signaling a departure from conventional mourning rituals.
The central tension arises from the narrator's desperate, almost obsessive desire to reconnect with the deceased. This longing is so profound it fuels a physical act of defiance against death itself: "I begin at once to claw / The earth / To free you from the worms." The narrator sees their own grief as a "well of loss" that is constantly refilled by the lichmistress's state, indicating a symbiotic, albeit morbid, relationship where her decay feeds their sorrow.
The craft here is in the visceral, unsettling imagery that grounds the abstract emotion of grief. Phrases like "empty holes / Which once were eyes" and "cyanotic lips caress the cold grey face" create a stark, physical presence for the deceased, making the narrator's desire to hold her "All pretty with blood" all the more chilling. The contrast between the narrator's fervent devotion and the lichmistress's decaying state is stark, highlighting the unrequited nature of this post-mortem affection.
This writing is effective because it forces the listener to confront the darker, more obsessive aspects of love and loss. The specific, almost grotesque details prevent the sentiment from becoming generic, instead creating a powerful, disturbing emotional resonance. The narrator's unwavering focus on the physical remains, coupled with their spiritual devotion, makes for a compelling, albeit unsettling, character study of eternal, unfulfilled desire.