Song Meaning

The lyrics paint a picture of a relationship caught in a cycle of intense highs and devastating lows, driven by an almost obsessive need for the other person. The opening lines, "One, two, three cheers for obsession," immediately set a tone that acknowledges the unhealthy nature of this fixation, framing it as a swing between "depressions." This isn't just about love; it's about a dependency where happiness is contingent on the other's presence, making the "good isn't good without you." The narrator seems to be performing an internal anthem, a "velocity where hearts were rampant," suggesting a past of passionate, perhaps reckless, emotional engagement. This intensity has led to a significant emotional disconnect, where the narrator's "senses have since be gone" and defenses have been "placed too long." The relationship has become a battlefield with uncounted "casualties," a direct measure of how far the other person has "turned from me." The distance is so profound that the narrator can "barely see you," highlighting the loss of connection and intimacy. Even cherished "memories" and "precious moments," once a source of comfort, now "sound ugly" in the face of this present desolation. The core of the narrator's struggle appears to be a self-sabotaging pattern, where "my moders [?] always run too strong / And it keeps me free from the love I want." This internal conflict prevents them from accessing the very love they desire, creating a frustrating paradox. The repeated refrain, "Don't start what you don't mean to finish," serves as a desperate plea, both to the other person and perhaps to themselves, to avoid initiating something that will inevitably lead to pain and incompletion. It’s a stark warning against the destructive nature of their own obsessions and the relationship's inherent instability.