Song Meaning
Chris Spedding's "Louisiana Blues" isn't a geographical exercise; it's a primal scream bottled in a blues riff. The repeated invocation of Louisiana, "behind the sun," immediately casts the song into a realm of shadow and hidden desires. It's not just about location, but about a state of mind, a descent into the subconscious where raw emotions and instinct take over. The singer isn't headed south for a vacation; he's chasing something fundamental that civilization has stripped away. He's seeking refuge in a place where the old magic still holds sway. The 'trouble just begun' line hints at an unraveling, a recognition that the journey into this shadowed territory will be fraught with challenges.
The quest for a "mojo hand" in New Orleans elevates the song beyond simple heartbreak. This isn't about finding a quick fix for a relationship gone sour. The mojo hand symbolizes a search for personal power, a desire to reclaim control in the face of overwhelming forces. It's a potent image, steeped in the folklore of the South, suggesting a willingness to tap into something ancient and untamed. The implication is clear: conventional methods have failed, and it's time to embrace the esoteric, the visceral.
Ultimately, "Louisiana Blues" becomes a commentary on the human condition. The need to dominate relationships, implicit in the lyrics about showing "good lookin' women / Just how to treat your man," exposes a deep-seated insecurity. The journey to Louisiana, the pursuit of the mojo hand, are all desperate attempts to fill a void, to assert a sense of self in a world that constantly threatens to diminish it. The raw, stripped-down nature of the song mirrors this primal urge, making it a blues anthem for those grappling with their own inner demons and power dynamics.