Song Meaning
The lyrics paint a picture of an isolated, almost surreal dance, set against a backdrop of peculiar pronouncements. The opening lines, "There are no castrations here / In a chair you will be with me," immediately establish a strange, perhaps protective, intimacy. This is followed by the insistent, yet melancholic, refrain: "We dance, we dance / No-one will dance / With us." This repetition highlights a core tension: a desire for connection through dance, immediately undercut by the certainty of exclusion.
The narrative then shifts to a bizarre, almost Dadaist, observation about "brazilian nuts" and their "expiration date," which is "later than you think." This serves as a stark, unsettling reminder of mortality or the fleeting nature of things, contrasting sharply with the repeated, almost desperate, affirmation: "You can enjoy yourself / I can enjoy myself." It suggests a forced, perhaps hollow, attempt at present enjoyment in the face of an impending, undefined end.
The central conflict emerges in the repeated plea, "Maybe we could dance together," met with the resigned certainty, "But you know no-one will dance with us / You know no-one dares to dance with us." The word "dares" is particularly striking, implying that dancing with them is not just socially unacceptable but actively forbidden or dangerous. This creates a powerful sense of being ostracized, making their shared dance a defiant act of solidarity in isolation.
Ultimately, the lyrics are effective because they capture a specific, unsettling mood of shared solitude and defiant joy against an implied external threat or judgment. The juxtaposition of the mundane (dancing, nuts) with the absurd and the existential (no castrations, expiration dates, no one dancing with them) creates a unique emotional resonance. The final lines, "This time i see you / There will be / Fine times for ever / And you'll never get lost," offer a glimmer of hope, suggesting that within their isolated dance, they have found a lasting, self-contained sanctuary.