Song Meaning
The lyrics paint a picture of intense, almost claustrophobic intimacy, where the outside world shrinks to just "us and the two flies on the wall." This shared space is imbued with a unique beauty, as the narrator finds the flies "beautiful" because they are "ours." The relationship is presented as a force of nature, declaring "we are the weather and we are the pain," suggesting a dynamic that is both powerful and potentially destructive, yet constant and ever-changing: "Never alone and never the same."
The imagery shifts to a more physical, grounded connection in the second verse. The comparison of legs to "sycamore trees" evokes a sense of natural, enduring growth, something the narrator "feel[s] them grow when we're asleep." This suggests a deep, almost unconscious awareness of the other person's presence and development. The desire for possession and exchange is palpable: "It's something to hold and something to keep / Take what you have and give it to me."
The chorus is the undeniable core of this connection, built on radical synchronicity. The relentless repetition of "I move, you move / I choose, you choose" hammers home a total mirroring of action and decision. It's not just about following; it's about a shared, inseparable volition, where one's movement or choice is intrinsically linked to the other's. This mutual responsiveness creates a sense of a self-contained universe.
Ultimately, the lyrics suggest a profound, almost spiritual bond that finds its own kind of magic within its insular world. The repetition of the opening image in the outro, "Just us and the two flies on the wall," brings the focus back to their private reality. The final declaration, "I do believe in miracles," lands with weight, implying that this intense, perfectly aligned existence, however strange or small, is itself a miraculous phenomenon.
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