Song Meaning
The lyrics paint a vivid picture of a relationship's intense, almost primal connection, juxtaposed with the quiet routines of a shared life. The opening lines, "To die in your arms / Your words forming again," establish a sense of profound intimacy and dependence, a feeling amplified by the raw imagery of kissing "very hard and wild" and rising "preying on skin." This initial intensity, however, soon gives way to a more grounded reality, hinting at a life built together.
The central tension emerges from the recurring refrain, "And Joe, nothing is real / But we still have that feel." This suggests a conscious awareness of life's ephemeral nature or perhaps a shared detachment from external pressures, yet the enduring emotional connection remains palpable. The mundane actions of "closing up the bar" and "warming up the car" anchor this feeling in everyday moments, creating a contrast between existential doubt and the comfort of routine, all set against the backdrop of a life lived "Ten miles away."
The introduction of "Two children of ours" adds another layer, revealing the passage of time and the bittersweet reality of parenthood. While the children are now "grown very far / And tall," and deeply missed, there's a concurrent happiness in their "travelling." This complex emotion—longing mixed with pride—reflects the evolving dynamics of family and the acceptance of life's natural progression, even as the core connection between the couple remains.
Ultimately, the lyrics resonate through their ability to capture the duality of deep emotional bonds: the fierce passion of their beginnings and the gentle, enduring comfort found in shared existence. The repeated imagery of the bar, the car, and the farm, coupled with the simple, grounding actions like feeding horses or reading, underscores how profound feelings can coexist with the ordinary, creating a rich tapestry of a life lived together, ten miles away.