Song Meaning
The narrator is waiting for someone, "Nena," who is consistently late, arriving hours after they agreed to meet. This isn't just a casual delay; the narrator notes the time spent on superficial preparations: "half an hour for an eye / and another half for a foot." The scene is set with a palpable sense of frustration building from the very first lines, highlighting a pattern of tardiness that feels almost deliberate.
The core tension arises from Nena's obsessive self-scrutiny and the narrator's growing impatience. Nena tries on "a thousand dresses," rejecting each one, and then cycles through hair styling, "curl your hair / then straighten it again." This endless, unproductive ritual, coupled with an overwhelming amount of perfume that makes it "hard to breathe," suggests a deep-seated insecurity or a performance for an audience that is already fed up. The narrator's plea, "don't think about it anymore," underscores the futility of Nena's efforts.
The most striking aspect is the narrator's escalating exasperation, culminating in the admission, "You're making me get drunk again." This isn't just about waiting; it's about the emotional toll Nena's behavior takes. The repeated call to meet at the bar, "Hey Nena, I'm waiting for you at the bar," becomes a desperate, almost resigned, invitation to escape the situation or perhaps to drown the frustration. The lyrics paint a picture of a relationship strained by one person's inability to commit to the present moment or the agreed-upon plans.
Ultimately, these lyrics resonate because they capture the specific, maddening experience of waiting for someone who seems lost in their own world of preparation and indecision. The craft lies in the stark contrast between the narrator's simple desire to meet and Nena's elaborate, exhausting rituals. The narrator's eventual surrender to drinking signifies a breaking point, making the frustration feel raw and relatable.