Song Meaning
The lyrics present a surreal, dreamlike landscape where the narrator revisits a potent, unsettling memory. The "river of bees" and "five orange trees" establish a vivid, almost hallucinatory setting, immediately tinged with an ancient, mysterious quality. The arrival of a blindman singing of "what was older" introduces a figure of profound, perhaps prophetic, significance, setting a tone of deep introspection and questioning.
This dreamscape seems to be a confrontation with time and existence, particularly as the narrator reflects on a fifteen-year span and the fate of the blindman, who "will have fallen into his eyes." The narrator’s own journey through "calendars" and rooms, asking "how shall I live," highlights a desperate search for guidance and meaning in the face of an overwhelming, perhaps predetermined, future. The imagery of "empty bottles" carried in "one man processions" as an "image of hope" offers a stark, ironic commentary on the futility of conventional aspirations.
The recurring phrase "He will have fallen into his eyes" and later "He will have fallen into his mouth" suggests a profound dissolution or absorption into a primal state, a loss of self that mirrors the narrator’s own existential crisis. The assertion that "Men think they are better than grass" introduces a critique of human arrogance, contrasting it with a more fundamental, perhaps natural, existence. The narrator’s return to the blindman’s voice, described as "rising like a forkful of hay," grounds the abstract in a tangible, earthy image, even as the blindman’s pronouncement "nothing is real" dissolves certainty.
The core tension lies in the conflict between the instinct to survive and the desire to truly live. The cryptic message on the door, "what to do to survive," is directly countered by the profound realization, "But we were not born to survive / Only to live." This final declaration, echoing the blindman’s ancient song and the narrator's own search, suggests that a meaningful existence transcends mere survival, embracing a more authentic, perhaps even ephemeral, state of being, much like the "echo of the future."