Song Meaning
The lyrics paint a stark, almost surreal portrait of a star-nosed mole, initially presented as a creature of immense, almost mythic, industry – "digging six miles a night." This grand image is immediately undercut by mundane, almost absurd questions: "what's up with you in your sooty suit, where's your kitchen at?" This juxtaposition sets a tone of bewildered observation, as if the narrator is encountering something both alien and strangely familiar.
The poem takes a sharp turn with the discovery of the mole's demise: "drowned, numb drainer of weeds." The once-active creature is now a still, waterlogged body, its purpose reduced to a morbid tableau of consumed life. The imagery of "insects floating in your belly, grubs like little fetuses bobbing" is particularly unsettling, transforming the mole's natural diet into a grotesque, almost embryonic collection of death, emphasizing the finality of its end.
The most striking element is the narrator's direct address to the dead mole's "dear face with its fifth hand," a reference to the star-nosed mole's unique sensory appendage. This detail, combined with the question, "doesn't it know it's the end of the war?" is deeply poignant. It suggests a disconnect between the mole's natural, instinctual existence and the larger, human-made conflicts that the narrator perceives as concluded. The mole's death, in this context, feels like an echo of a war that has already ended, a life extinguished after the relevant struggle has passed.
Ultimately, the lyrics resonate through this profound sense of misplaced finality and unexpected pathos. The narrator's wish, "I wish your mother would wake you up and you wouldn't lie there like the Pieta wearing your cross on your nose," elevates the mole's death to a tragic, almost religious icon. The "cross on your nose" is a powerful, invented image that captures the burden and the ultimate sacrifice of this small, earthbound creature, whose end feels both insignificant and profoundly sorrowful in the face of a world that has supposedly moved on.