Song Meaning
The lyrics launch into a rapid-fire critique of the current music scene, questioning what's acceptable and what's not. The opening lines, "なしなしなしなしなしでも今ありやーん" (No, no, no, no, no, but now it's okay), immediately establish a tone of disbelief and a sense of shifting standards. It feels like the narrator is observing a world where anything goes, especially if it gains traction, which is hammered home by the repeated "バズバズバズバズバズバズれば勝ちやーん" (If it buzzes, buzzes, buzzes, buzzes, buzzes, buzzes, you win). This sets up a central tension: the conflict between genuine artistry and the pursuit of viral success.
The core of the song seems to grapple with authenticity versus popularity. The narrator points out the prevalence of "モロパクリも売れればいい" (blatant rip-offs are fine if they sell) and "口パクでもウケればいい" (lip-syncing is fine if it's popular), suggesting a superficiality that prioritizes reception over substance. This is further highlighted by the observation that "見た目だけいい 中身ない奴もたまに" (sometimes there are guys who look good but have no substance). The lyrics question what truly constitutes "Real shit," implying that the definition is constantly being manipulated or redefined by trends and marketability.
One of the most striking aspects of the writing is the use of repetition and contrasting ideas to create a sense of dizzying confusion and eventual disillusionment. The constant back-and-forth between "あり" (okay) and "なし" (not okay) mirrors the chaotic and contradictory nature of the industry being described. The phrase "しどろもどろ" (flustered, incoherent) is repeated, emphasizing the narrator's and perhaps the audience's confusion about what is genuine. The lines "俺が白い物も黒と言えば 白も黒に変わる" (If I say white things are black, white turns to black) powerfully illustrate the extent to which perception can be manipulated, suggesting a loss of objective truth in favor of manufactured narratives.
Ultimately, the lyrics resonate because they tap into a widespread feeling of unease about artistic integrity in the digital age. The narrator's repeated assertion that "けど本当はない" (but there's no truth) and "マジでなしなことは マジでなし" (things that are truly not okay are truly not okay) reveals a longing for genuine value beneath the surface-level hype. The song effectively captures the frustration of seeing questionable content succeed while questioning the very definition of success and authenticity in a landscape driven by fleeting trends and viral moments.
