Song Meaning
The lyrics paint a picture of a raw, almost defiant youth, clinging to a "violent life" that seems to be a rejection of societal norms. The narrator expresses a need to believe the subject is at least eighteen, perhaps to justify a fascination with this untamed spirit. This "violent life" is characterized by a distrust of the "market" and its "comets" or "sisters," suggesting a disdain for commercialism and superficiality. The repeated desire to "cradle" the subject on "two small lips" hints at a complex mix of protection and perhaps a desire for intimacy with this rebellious figure.
This tension between a desire for innocence and an attraction to a hardened, "violent" existence drives the song. The narrator wants to believe the subject has read "the wrong books" and copied "evil," not out of malice, but as a form of authentic expression, a way of "painting very bad words on walls." It’s a romanticization of rebellion, seeing it as a genuine, albeit destructive, way of engaging with the world, distinct from the perceived hollowness of the "market."
The chorus offers a contrasting vision: a simpler, perhaps more passive happiness found "sitting under the plane trees / Already green with our youth." Yet, this peace is immediately undercut by the condition that they "don't feel free to be happy only when / Someone undresses us, someone calls us." This suggests that even in moments of supposed freedom, their happiness is contingent on external validation or attention, a subtle critique of how their "violent life" might still be seeking a form of recognition, albeit on their own terms. The imagery of the plane trees grounds this in a shared past, a nostalgic backdrop against which their current, more complicated desires play out.