Song Meaning

These lyrics paint a picture of someone grappling with internal conflict and external pressures. The opening lines, "Unas estrofas mas / Buscan mi tarde dibujar," suggest a creative or reflective process, an attempt to capture a moment or feeling. There's a sense of longing, "De llegar a vos intente," paired with a burden, "Amarga cruz de sal / Cargio del momento de nacido." This sets up a tone of struggle against an inherited or inherent difficulty. The core tension seems to lie between a desire for authenticity and the forces that try to alter the narrator's identity. The repeated assertion, "No me podran cambiar / Aunque mucho lo intenten," acts as a defiant shield. Yet, this defiance is complicated by the acknowledgment of internal fragility, "Se que flaco es el ovillo / De mi intimo carretel." The narrator admits to a limited inner resource, a thin thread of self that they've been "largando al remontar / Estrellas de caña y papel." This imagery evokes a sense of past efforts, perhaps youthful or naive pursuits, that have consumed their inner strength. The lyrics present a fascinating duality regarding faith and reality. The lines "La verdad y la razon abren los cielos" offer a hopeful, almost spiritual ascent through logic and truth. However, this is immediately contrasted with "Lo suicida de mi fe / Las mentiras que alimentan este infierno / Dan motivos a creer." This suggests that while truth might elevate, the narrator's faith is precarious, fueled by falsehoods that create a personal hell, yet paradoxically provide reasons to continue believing. It’s a complex dance between seeking clarity and being trapped by illusions. Ultimately, the effectiveness of these lyrics stems from their raw honesty about internal struggle. The narrator doesn't shy away from admitting their limitations or the deceptive nature of their own beliefs. The repeated defiance, "Juego a ser quien soy / Pues que yo soy el que soy de joder," is powerful precisely because it’s voiced by someone who acknowledges the "amarga cruz" and the "flaco ovillo." This vulnerability, combined with the stark imagery of a self-consuming faith, makes the assertion of identity feel hard-won and deeply resonant.