Song Meaning

The narrator embraces a lifestyle of indulgence and unapologetic hedonism, framing it as a deliberate choice rather than a moral failing. The opening lines set a scene of public performance and reception, where applause is heard even from a distance, suggesting a life lived under a certain spotlight. This is immediately followed by a declaration of acceptance: "You ain't no angel, that's ok I'm fine with that," establishing a relaxed, non-judgmental stance towards perceived flaws, especially in the context of liking "Bratz" – a term used here to signify a certain type of confident, perhaps materialistic, woman. The chorus solidifies this attitude with the provocative phrase "we don't do tit for tat, just tits and tats," implying a focus on physical pleasure and direct action over petty grievances, all while building a rap career underscored by a simple, driving beat. Verse 1 paints a picture of a partner who is physically fit and enjoys going out, contrasting with the narrator's aversion to loud clubs. The lyrics reveal a casual approach to intimacy, even mentioning laying a towel if she's on her period, highlighting a pragmatic acceptance of bodily realities. The narrator acknowledges their own long-standing "bad" behavior, stating "It's way too late for changing now," and observes a partner who is indecisive, changing outfits multiple times and window shopping, suggesting a shared inclination towards material desires and a certain superficiality. This is juxtaposed with a surprising sensory detail: "she did taste just like Fiji," a moment of unexpected, almost luxurious, sensory recall. Verse 2 shifts to the narrator's own trajectory, asserting a rise in status and dismissing past associates who weren't supportive. The narrator boasts about their success, comparing their car's power to dressage and noting their commanding "presence." There's a clear distinction made between genuine allies and mere acquaintances, with a veiled threat to those who might cross them. The lyrics then touch on the partner's intelligence – a "double degree" – but also their willingness to be submissive in intimate moments, followed by a rhetorical question about money, hinting at the transactional nature of some interactions. The narrator concludes this verse by describing an act of giving their male friends "life experience" by having them take out the trash, a move framed as a privilege, and noting the "pretty privilege" of women who make men feel "inferior."

Allday - Rap, Hip-Hop

Bratz

4 Plays

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[Chorus] Yeah Round of applause when the curtain draws From two rooms over hear it clap You ain't no angel, that's ok I'm fine with that 'Cuz I like Bratz And we don't do tit for tat, just tits and tats Turned rap into a career, and the drums go bip 'n' bap [Verse 1] She thin and bad, been going to gym Resistance bands to make it round She wanna go paint the town But I hate the club it's way too loud We bang all month with no days off And if she on period, lay a towel I been bad since way back when It's way too late for changing now 'Lil honey from old money She even got a friend called Mimi I found her opinions a little naive But she did taste just like Fiji My friends mix dole bludging with hustling gas but not likе BP I was gonna change my life this morning I'll probably forget by еvening Damn, I can't make up my mind She changed her outfit 1, 2, 3, 4, 5 times Window shop rodeo drive, I guess she buy-curious Check out the motor, interior, all of my motives, ulterior She still can't get enough [Chorus] Round of applause when the curtain draws From two rooms over hear it clap You ain't no angel, that's ok I'm fine with that 'Cuz I like Bratz And we don't do tit for tat, just tits and tats Turned rap into a career, and the drums go bip 'n' bap Round of applause when the curtain draws From two rooms over hear it clap You ain't no angel, that's ok I'm fine with that 'Cuz I like Bratz And we don't do tit for tat, just tits and tats Turned rap into a career, and the drums go bip 'n' bap [Verse 2] On south road, i was (down south) Switch gears and hemispheres If you weren't down with me this year Don't say shit next year When I'm S tier, S class, horsepower like dressage They say I got presence, God sure blessed us Them boys just extras Giving bear hugs to the gang but You're not my mate, you're not my buddy Wait, I did dirt in the past, don't make me get them trainers muddy Smart girl, double degree, but on my thingy, she going dummy Don't ask for much, but when she does: "Do you think I'm made of money?" My left wrist is hilarious, my chain, I'm serious Make hot girls take the bin out just to give them life experience Like girls with pretty privilege, type that make guys feel inferior Took all my boys to Egypt, geezers at the Pyramids [Chorus] Round of applause when the curtain draws From two rooms over hear it clap You ain't no angel, that's ok I'm fine with that 'Cuz I like Bratz And we don't do tit for tat, just tits and tats Turned rap into a career, and the drums go bip 'n' bap Round of applause when the curtain draws From two rooms over hear it clap You ain't no angel, that's ok I'm fine with that 'Cuz I like Bratz And we don't do tit for tat, just tits and tats Turned rap into a career, and the drums go bip 'n' bap

Credits

Writers: Allday
SHYY BEATS

Bratz

Bratz

Lyrics

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Credits