27 passports
2018
The Ex (Punk Band)
1 Listeners
Artist Bio
Introduction & Current Status
The Ex, the Dutch anarchist collective masquerading as a punk band, are still at it. Decades after their formation, they continue to defy genre conventions and challenge audiences worldwide. Their commitment to DIY ethics and sonic exploration remains as fierce as ever. Forget about resting on their laurels; The Ex are perpetually evolving. They're the art-school punks who never sold out and somehow managed to stay relevant.
Their current status? Think elder statesmen of the underground. They're less concerned with chart domination and more focused on pushing boundaries. They influence countless experimental bands while maintaining their fiercely independent stance. They've proven that you can stay true to your ideals and still create compelling music.
Early Life & Background
Originating from Amsterdam in 1979, The Ex was born from the fertile ground of the Dutch squatter scene. This environment shaped their fiercely independent and politically charged ethos. They weren't just a band; they were a collective, a statement, a middle finger to the mainstream.
Early influences ranged from classic punk bands to avant-garde composers. These influences created a unique sonic blend. They absorbed the energy of The Clash and the experimentation of Can. The DIY ethos of the punk movement resonated deeply with their desire for artistic freedom.
Career Beginnings
The Ex started as a straightforward punk band. They quickly began experimenting with sound and structure. Early gigs were chaotic affairs, fueled by political outrage and a healthy dose of artistic ambition. They wanted to break free from punk's limitations.
Their early releases, including the album Pokkeherrie, captured the raw energy of their live shows. These recordings quickly established them as a force to be reckoned with in the European underground scene. They were DIY pioneers.
Major Albums & Discography
The Ex's discography is a sprawling testament to their relentless creativity. Each album marks a distinct phase in their sonic journey. From the raw energy of Pokkeherrie to the experimental depths of Blueprints for a Blackout, they consistently defied expectations.
History Is What's Happening showcased their evolving sound incorporating elements of free jazz and noise rock. Later albums such as Turn saw them collaborating with musicians from diverse backgrounds. The And the Weathermen Shrug Their Shoulders album stands as a landmark release, showcasing their unique blend of punk energy and experimental soundscapes. Don't sleep on the raw energy of Disturbing Domestic Peace which still sounds fresh today.
Dizzy Spells pushed further into avant-garde territory while Catch My Shoe and Starters Alternators continued their genre-bending experiments. Scrabbling at the Lock is a masterclass in controlled chaos. Each album is a world unto itself.
Hit Songs & Signature Tracks
While The Ex isn't exactly known for chasing chart hits, they have a collection of signature tracks that define their sound. "Frenzy" is a prime example of their early punk energy. It's raw, chaotic, and utterly infectious. "Let's Panic Later" captures their knack for blending noise and melody into a cohesive whole.
Tracks like "I.O.U. (Nought)" demonstrate their ability to create hypnotic rhythms and textures. "The Art of Losing" reveals a slightly more introspective side, while still retaining their signature edge. "It's A Sin" is a relentless assault of sound and fury.
Don't forget the driving energy of "Two Struck By The Moon" and the experimental textures of "Mother." The quirky "Bee Coz" showcases their playful side. "Lump Sum Insomnia" is a masterclass in building tension and release. Finally, the angular riffs of "Wildebeest" perfectly capture their unique blend of punk and avant-garde sensibilities.
Collaborations & Features
The Ex have always embraced collaboration as a means of expanding their sonic palette. They've worked with a diverse range of artists. These include free jazz musicians, African instrumentalists, and experimental sound artists. These collaborations have pushed them into uncharted musical territory.
Their collaborations with Ethiopian saxophonist Getatchew Mekuria are particularly noteworthy. These recordings blended The Ex's punk energy with Mekuria's traditional Ethiopian jazz creating a truly unique sound. They've also collaborated with cellist Tom Cora and many other musicians.
Awards & Achievements
While The Ex may not have a shelf full of Grammys or Billboard awards, their achievements are measured in different terms. Their influence on the underground music scene is undeniable. They've inspired countless bands to embrace DIY ethics and sonic experimentation.
They've earned critical acclaim for their relentless creativity and unwavering commitment to their ideals. Their longevity is a testament to their artistic vision. They continue to receive recognition from discerning music publications and fans worldwide.
Personal Life
The Ex have always maintained a degree of privacy regarding their personal lives. They prefer to let their music speak for itself. However, their commitment to social and political activism is well-documented. They have consistently used their platform to advocate for various causes.
They've supported anti-globalization movements, environmental protection efforts, and various human rights organizations. Their dedication to these causes is an integral part of their identity as a band.
Musical Style & Influence
The Ex's musical style defies easy categorization. While rooted in punk rock, they've incorporated elements of free jazz, noise rock, and world music into their sound. Their music is characterized by its angular rhythms, dissonant harmonies, and improvisational spirit. They are masters of controlled chaos.
They've been influenced by a wide range of artists from The Fall to Captain Beefheart. They in turn have influenced countless bands in the experimental rock and post-punk scenes. Their legacy as sonic pioneers is secure. The Ex remain a touchstone for artists seeking to push the boundaries of genre.
Recent Work & What's Next
The Ex continue to tour and record. They are always pushing the boundaries of their sound. They remain as vital and relevant as ever. Their commitment to their DIY ethos and their willingness to experiment have ensured their longevity.
Fans can expect more challenging and thought-provoking music from The Ex in the years to come. They're not content to simply rehash old ideas. They are always seeking new ways to express themselves. They are a band that refuses to be pigeonholed.
Popular Albums
Popular Songs
| Track Number | Song | Release Date | Album |
|---|---|---|---|
| 01 |  Hands Up! You’re Free | N/A | Too Many Cowboys |
| 02 | A Piece of Paper | N/A | Too Many Cowboys |
| 03 |  Bee Coz | Oct 20, 1998 | Starters Alternators |
| 04 | Nem Úgy Van Most | Oct 20, 1998 | Starters Alternators |
| 05 | It’s A Sin | Oct 20, 1998 | Starters Alternators |
| 06 | New Blank Document | Mar 22, 2018 | 27 passports |
| 07 | Four Billion Tulip Bulbs | Mar 22, 2018 | 27 passports |
| 08 | This Car Is My Guest | Mar 22, 2018 | 27 passports |
| 09 | The Sitting Chins | Mar 22, 2018 | 27 passports |
| 10 | Birth | Mar 22, 2018 | 27 passports |
| 11 | Piecemeal | Mar 22, 2018 | 27 passports |
| 12 |  Fire and Ice | Mar 1, 1984 | Blueprints for a Blackout |
| 13 |  24 Problems | Jan 25, 2011 | Catch My Shoe |
| 14 | Life Whining | Jan 25, 2011 | Catch My Shoe |
| 15 | Keep On Walking | Jan 25, 2011 | Catch My Shoe |
| 16 | Cold Weather Is Back | Jan 25, 2011 | Catch My Shoe |
| 17 |  King Commie | Aug 1, 1991 | Scrabbling at the Lock |
| 18 | Crusoe | Aug 1, 1991 | Scrabbling at the Lock |
| 19 | Total Preparation | Aug 1, 1991 | Scrabbling at the Lock |
| 20 | 1993 | Aug 1, 1991 | Scrabbling at the Lock |
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